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Even this is a small, if unconscious, cut, considering what objectionable curiosity he evinced about her name. But the Australian is above small cuts, for the good reason that he seldom sees them.,"Last night you called me Paul. Do you remember? Call me it again, for the last time," he entreats, in a low tone. "I shall never forget what I felt then. If ever in the future you hear good of me, believe it was through you it sprung to life. Till my dying day your image will remain with me. Say now, 'Good-by, Paul,' before I go.","Oh! can nothing be done?" asks Mona, turning to him eyes full of entreaty.,Then she knows she is speaking to "the Australian," (as she has heard him called), and, lifting her head, examines his face with renewed interest. Not a pleasant face by any means, yet not altogether bad, as she tells herself in the generosity of her heart.,"And after that what will remain to you?" asks she, pale but collected. "It is bare comfort when hatred alone reigns in the heart. With such thoughts in your breast what can you hope for?—what can life give you?",But Violet is content.,"You have," says Nolly.,CHAPTER XXV.,"What is it you would say?" exclaims Mona, threatingly, turning towards him a lovely face she vainly tries to clothe with anger.,Behind the house rises a thick wood,—a "solemn wood," such as Dickens loved to write of, with its lights and shades and every-varying tints. A gentle wind is rushing through it now; the faint murmur of some "hidden brook," singing its "quiet tune," fall upon the ear; some happy birds are warbling in the thickets. It is a day whose beauty may be felt.,"Oh, dear, no," says Mona, with an emphatic shake of her lovely head. "She hadn't the least little bit of wit in her composition. She was as solemn as an Eng——I mean a Spaniard (they are all solemn, are they not?), and never made a joke in her life, but she was irresistibly comic all the same." Then suddenly, "What a very pretty little woman that is over there, and what a lovely dress!",For a moment her Grace hesitates, then is lost. It is to her a new sensation to be taken about by a young woman to see things. Up to this, it has been she who has taken the young women about to see things. But Mona is so openly and genuinely anxious to bestow a favor upon her to do her, in fact, a good turn, that she is subdued, sweetened, nay, almost flattered, by this artless desire to please her for "love's sake" alone..